This scene from Dawn of
the Dead (1979) looks at the concept of consumerism. This is through the
action of holding the money up to the camera, promoting and praising it. George
A. Romero (the film's “auteur” according to the theory set out by Andrew Sarris
in his essay “Notes on the Auteur Theory in 1962”) was very anti-consumerist
and by emphasising the stupidity of consumerism; the zombies, in their state
are still taking part in the consumerist side of the film. This shows the
stupidity and meaningless side to money and possessions. The context of the
time links to Dawn of the Dead (1979) because America was obsessed with
money and malls were a rapidly rising idea. Romero often links his films to
context and strong opinions within society, for example, Land of the Dead
(2005) which was about terrorism. Also Day of the Dead (1985), which
was about the power of the military. As well as consumerism the film also
presents ideas towards racism. This is shown in this scene as the wide shot
captures Peter as a large figure compared to Stephen which shows his power and
authority over Stephen. Romero was also very anti-racism as he was born half
Cuban. This scene clearly illustrates Andrew Sarris’s focus on the impact of
auteurs' ideologies in the content of films.
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