This
scene from Dawn of the Dead (2004) features
Andre and Kenneth. Andre is confessing to Kenneth all the criminal actions he
has committed and explaining how he wants to change. Kenneth is the ‘male hero’
and pursues a very respected job as a policeman. With his job comes a lot of
authority and superiority, this is shown in the still shot through his size
compared to Andre. He is closer to the camera and therefore displaying he is
more powerful. He is also seen in most of the film with a large phallic symbol,
which is a shotgun; this reflects his butch personality and ego. The shot also
exhibits his clean reputation compared to Andre as he is wearing a white top to
connote innocence and goodness. Whereas, Andre is wearing a black top to
portray his criminal past and darkness. Andre holds a negative black stereotype
with a criminal record, but Kenneth contradicts the stereotype and is a tough
but soft-hearted ‘male hero’ archetype. This
is shown in the film when he makes good friends with Andy, across the street
and genuinely cares for him. He is smart and survives at the end, which
supports the Blaxploitation film style with powerful black stars, for example Track
Turner (1974). Despite Andre's reputation, he is trying to turn his life
around and is desperately trying to protect Luda and his unborn child. This
inter-racial relationship with Luda is no longer shocking due to the change in
historical context. However, would have been a new and challenging idea when
the original Dawn of The Dead (1979) was released.
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